![]() For the second she has a far more splendid silver gown with silver shoes and on the third evening she is dressed in a magnificent golden gown and golden slippers. They drop her a white gown and silk shoes for the ball’s first evening. ![]() Two doves sent down from heaven by her mother come to the tree to help her when she prays for aid over the royal ball. She plants a hazel twig on her mother’s grave which, watered by her tears, grows into a tree. Demoted to the family’s kitchen maid after her own mother’s death and her father’s second marriage, the heroine is nicknamed Aschenputtel (‘Cinder-Fool’) by her cruel stepmother and stepsisters. The brothers took stories from Perrault and many others, but their versions were frequently different.Īn example is ‘Cinderella’, where the fairy godmother Perrault introduced does not appear. Expressing their hopes and joys, fears and sorrows, the tales were profoundly significant for children and grown-ups alike. They believed that folk stories, handed down by word of mouth from one generation to another over centuries untold, enshrined the fundamental ideas, beliefs and reactions to human experience of ‘the folk’. The Grimms’ attitude was entirely different. In 1697 in France Charles Perrault had published what would become classic fairy tales for children, including ‘Cinderellla’, ‘Puss in Boots’ and ‘Little Red Riding Hood’, but his versions of the stories were meant for sophisticated aristocratic families. They have fascinated and frightened generations of children in more than 70 languages and have inspired authors, artists, composers and film-makers as well as generating what has been described as a minor industry of criticism and interpretation, including Freudian and Jungian analysis. There were numerous later editions, deleting some stories and adding others, of what became known in English as Grimm’s Fairy Tales. The second, which came out in 1814, added 70 more. The first volume of their Kinder- und Hausmärchen (‘Children’s and Household Tales’), published in 1812, included 86 stories. They were the greatest figures of the new intellectual interest in folk tales that developed in their time.
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